近代早期欧洲的俄罗斯形象

English | 320 pages | Cambridge University Press (September 30, 2024) | 1009418688 | PDF | 36 Mb

In early modern Europe, the emergence and development of print culture proved a powerful new method for producing and disseminating knowledge of Russia through visual means. By examining the images of Russia found in travel accounts, pamphlets, maps and costume books, this study demonstrates how the visual shaped a dual understanding of these lands: Russia and Russians were portrayed as familiar, but the steppe and forest frontiers were seen as forbidding and exotic. As these images were reproduced and plagiarized in new formats, so too were their meanings – the idea of Russia was one which constantly shifted across genres, usages, and audiences. Nancy Kollmann examines the techniques harnessed by artists and publishers to suggest the authenticity of their publications, and explores in turn how these complex depictions of Russia contributed to Europeans' understanding of themselves.

英文| 320页|剑桥大学出版社（2024年9月30日）| 1009418688 | PDF | 36 Mb 在近代早期的欧洲，印刷文化的出现和发展证明了一种通过视觉手段生产和传播俄罗斯知识的强大新方法。通过研究旅行记录、小册子、地图和服装书中发现的俄罗斯图像，本研究展示了视觉如何塑造了对这些土地的双重理解：俄罗斯和俄罗斯人被描绘成熟悉的，但草原和森林边界被视为令人生畏和充满异国情调。随着这些图像以新的格式被复制和抄袭，它们的含义也在不断变化——俄罗斯的概念在流派、用法和受众之间不断变化。南希·科尔曼（Nancy Kollmann）研究了艺术家和出版商用来证明其出版物真实性的技术，并探讨了这些对俄罗斯的复杂描述如何促进欧洲人对自己的理解。

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